Friday, 22 February 2013

Community Radio



 

Introduction

The provision of information and skills has gained popularity in the quest to empower communities with community radio as a unique and effective tool. Chapman et al (2003) reported that the growth of rural radio stations reflects both the improvements in information technologies and the shifting of development paradigm towards a more participatory style of information and knowledge transfer. Kumar (2004) identified radio as an avenue for participatory communication and as a tool relevant in both economic and social development.


Community radio is a type of radio service that offers a model of radio broadcasting beyond commercial and public service. Community radio broadcasting serves geographic communities and communities’ interest. The content of broadcasting is largely popular and relevant to a local/specific audience but which may often be overlooked by commercial or mass-media broadcasters. Community radio stations are operated, owned, and driven by the communities they serve. Community radio is not-for profit and provides a mechanism for facilitating individuals, groups, and communities to tell their own diverse stories, to share experiences, and in a media rich world to become active creators and contributors of media. In many parts of the world today, community radio acts as a vehicle for the community and voluntary sector, civil society, agencies, NGOs and citizens to work in partnership to promote community development. By the core aims and objectives of this model of broadcasting, community radio stations often serve their listeners by offering a variety of content that is not necessarily provided by the larger commercial radio stations.


Community radio is unique because the stations are run by the communities themselves. They are owned and managed by the people they serve. The management is usually a small team of paid staff with the programming conducted by volunteers.  Through media skills training and access to the airwaves, a community radio facilitates a number of capacity building activities. The exchange of information, networking of groups, the provision of skills and training and these undoubtedly are key elements of developing a community. Again, a radio facility for a community facilitates the promotion of awareness of community groups and facilities in the area as well as providing the avenue for the empowerment of these groups to use radio to promote themselves and to speak directly to the community. For its proximate location to its clients a community radio serves a local community of its interest. It is accessible to the community in terms of ownership, decision making and programme output. In majority of cases, programming is produced by the community, with focus on local concerns and issues. Unlike in the case of the mainstream media, rather than merely talking about the community, the people themselves make the programmes. This strengthens local culture with the recognition that this is their station; it becomes a forum for a wide diversity of local opinions and views. Sterling el at (2007) provided evidence that female community radio listeners are given a voice with which to respond to programming and to create programming content. The authors estimated the cost of excluding women from ICT for development and explored how community radio represents an opportunity for inclusion. By employing the principles of Participatory Action Research (PAR), the authors found that women will be more likely to benefit from technology-mediated opportunities for development if they themselves produce information that contributes to their advancement, rather than simply consuming information provided by others (Sterling et al 2007).

DIAMOND 101.1 FM is an example of a community radio station. It is situated in the University of Ibadan, which is known as Nigeria's premier university. The Station was officially opened on the 30th of October, 2008 by the Executive governor of Niger State, Dr. Mu'azu Babangida Alliu as part of activities marking the 60th Anniversary of the University.

 




The station is received by listeners in the city of Ibadan and nearby towns and cities. The station adopted the tag "Promoting Values and Excellence" and it is located in the Media Centre of the University of Ibadan. The station has grown rapidly to become the choice station for music of all genres as well as educative programmes. The station has in its workforce seasoned and experienced broadcasters which include:

1.      Dr Mrs Louisa Andah as the director of the station. She is an experienced broadcaster and lecturer in the Department of Communication and Language Arts of the university of Ibadan.

2.      Mr Paul Anthony Emokhare as the senior executive officer/Programmes Manager. He is a seasoned broadcaster who has travel far and wide with a wealth of experience in programming,fact and format, graduate of Radio Netherlands, Hilversum.

3.      Mr Obafemi Folorunsho as the studio manager.

4.      Mr Emmanuel Idubor as the station officer.

Other member of staff include

  •  Charles Eromosele (Charley)
  • Ebose Aziba (AB)
  • Njoku Uluaku (NJ)
  • Foluke Falayi
  • Hameed Adediran
  • Essien Ukoyen
  • Patience Obilo
  • Tomisin Oyelere.



 

 

Since the establishment of the community radio station, it has helped in

1.      Improving the education and livelihood of it listeners through creating awareness and knowledge of solutions to the university community development problems.

2.      Improving communication and information sharing.

3.      Improving cultural promotion and entertainment.

4.      Providing income for the university through adverts and sponsorships of its programs.

5.      Improve social cohesion.


 

Conclusion

Community radio really helps in serving as one of the fastest communication channels. It has encouraged target communities to participate in programme activities and replicate lessons taught in the programs they broadcast. Community radio helps by encouraging its listening communities to keep faith and support to activities of the community. The community radio has social, economical, political and cultural impact its audience. A community radio station has largely been used as a tool for integrated rural development. Community radio station operates within its mandate as a community radio with a social responsibility of providing community news bulletins, current affairs, sporting, culture and health programmes.

From investigations, there is usually a very high degree of listener participation in the programmes, and the rural audience likes to hear themselves and their neighbors. In terms of ownership community members feel they are part of the ownership because their suggestions or recommendations have been heeded to by staff of the station. They also participate in the programmes by way of making announcements and advertisement.

 

 

 

 

References

1.       Chapman R., Blench R., Kranjac-Berisavljevic’ G. and Zakariah A.B.T. (2003). “Rural Paper No. 127 January 2003 ISBN 0 85003 640 2.

2.       Sterling S., O'Brien J., and Bennett J. (2007), “Advancement through Interactive Radio” Information Systems Frontiers Volume 11 Issue 2, April 2009.

Photo Credits

http://homezonemedia.wordpress.com/2012/11/01/diamond-f-m-university-of-ibadan/

 

 

 

EVALUATING MEDIA OWNERSHIP AND CONTROL IN DIGITAL AGE AND SIZE





Name: Oladele Oluwatoni Lois
Matric No: PGD/12/04/2155

EVALUATING MEDIA OWNERSHIP AND CONTROL IN DIGITAL AGE AND SIZE

                                                          Introduction
Evaluation of media ownership and control is a very paramount and diversified task which is germane in the ever changing world of today, however with the explosion of digital communication technology in the late 20th and 21st centuries, the question of what forms of media and what should be classified as "mass media”, its ownership and control has become more prominent, The mass media has taken new dimension in its size, usage and importance which is evidenced in its role in transformations and revolutions in broadcasting. Before the proper evaluation of media ownership and control in digital age and size, it will be paramount to take a brief definition of the mass media and digital media.
The mass media are diversified media technologies that are intended to reach a large audience by mass communication. Mass media could be: Broadcast media (also known as electronic media) transmit their information electronically and comprise television, radio, film, movies, CDs, DVDs, and other devices such as cameras and video consoles as against the obsolete analog media.
Print media use a physical object as a means of sending their information, such as a newspaper, magazines, comics, books, brochures, newsletters, leaflets, and pamphlets. The organizations that control these technologies, such as television stations or publishing companies, are also known as the mass media.
Internet media is able to achieve mass media status in its own right, due to the many mass media services it provides, such as email, websites, blogging, Internet and television.
Outdoor media is a form of mass media that comprises billboards, signs, placards placed inside and outside of commercial buildings and objects like shops and buses, flying billboards (signs in tow of airplanes), blimps, and skywriting.
Public speaking and event organizing can also be considered as forms of mass media.
The 21st century digital age has resulted into many mass media outlets presence on the web, by such things as having TV ads that link to a website, or having games in their sites to entice gamers to visit their website. In this way, they can utilize the easy accessibility that the Internet has, and the outreach that Internet affords, as information can easily be broadcast to many different regions of the world simultaneously and cost-efficiently.
The Digital Media Alliance Florida defines digital media as "the creative convergence of digital arts, science, technology and business for human expression, communication, social interaction and education" However the digital media is a form of electronic media where data are stored in digital (as opposed to analog) form. It can refer to the technical aspect of storage and transmission (e.g. hard disk drives or computer networking) of information or to the "end product", such as digital video, augmented reality, digital signage, digital audio, or digital art.

                                                Media Ownership and Control
Evaluating media ownership and control in the 21th century digital age should be analyzed in an interconnected and mutually re-enforcing way because they are both inter-related, which is one can say that the owner of the media has the power to determine what could be broadcasted and transmitted as against the professionalism and ethics of the media, of course the owner has every right to control! However, there have been theories that have analyzed media ownership and control and some of this are:

                                    The Pluralist Theory of Media Ownership and Control
Pluralists argue that media owners are generally responsible in the way that they manage information because media content is mainly shaped by consumer demand in the marketplace. They therefore only give the buying public what they want. Moreover, editors, journalists and broadcasters have a strong sense of professional ethics which act as a system of checks and controls on potential owner abuse of the media.
Pluralists suggest that the mass media are an essential part of the democratic process because the electorates today glean most of their knowledge of the political process from newspapers and television. Pluralists argue that owners, editors and journalists are trustworthy managers and protectors of this process.
Furthermore, pluralists argue that media audiences are the real power holders because they can exercise the right to buy or not to buy. If they did not like the choices that media owners are making available to them, or if they suspected that the media product was biased, such audiences would respond by not buying the product. The media, therefore, supply what the audience wants rather than what the owner decides. If some viewpoints have a greater range of media representing them, this is not necessarily biased. It merely reflects what the audience wants or views as important.
Pluralists also argue that concentration of ownership is a product of economic rationality rather than political or sinister motives. It is driven by the need to keep costs low and to maximize profits. Globalization too results from the need to find new audiences rather than from cultural imperialism.
Pluralists note that the power of media owners is also restricted by state, or government, controls, e.g. in some societies, owners are not allowed to own too much media or different types of media. Many countries also have cross ownership rules preventing people from owning more than one type of media. Furthermore, newspapers, television and radio in Britain are subject to legal controls and rules imposed on them by The Press Council and the Office for Communications.
Pluralists argue that it is practically impossible for owners to interfere with the content of newspapers and television programmes because their businesses are economically far too complex for them to regularly interfere in the day-to-day running of the content.

The Marxist Theory of Media Ownership and Control
Marxists argue that the economic system of Britain, i.e. capitalism, is characterized by great inequalities in wealth and income which have been brought about by the exploitation of the labour power of the working classes. Marxists believe that in order to legitimate and reproduce this system of inequality, the capitalist class uses its cultural power to dominate institutions like education and the mass media and transmit ruling class ideology. The function of these agencies is to socialize the working class into accepting the legitimacy of the capitalist system and capitalist ideas. Consequently, Marxists argue working class people experience false class-consciousness – they come to accept that capitalism is a just system that benefits all social groups equally. They fail to see the reality of their situation that they are being exploited by a system that only benefits a powerful minority.
With a look at the above explained theory of media ownership and control, it will be an incomplete analysis without taking a vivid look at the ideological dimension to media ownership and control which has captured the attention of scholars from different ideological dispositions, this is explained below:

                                                            The Media and Ideology
Marxists believe that media owners (who are members of the capitalist elite) use their media outlets to transmit ruling class ideology. Miliband (1973) argued that the role of the media is to shape how we think about the world we live in and suggested that audiences are rarely informed about important issues such as inequalities in wealth or why poverty persists. The capitalist system is rarely criticized or challenged. Instead, Marxists suggest that owners shape media content so that only ‘approved’ and conformist views are heard.
Tunstall and Palmer (1991) suggest that governments are no longer interested in controlling the activities of media owners because they need their support to either gain power or hang onto it. This is evidenced in today's democracy and liberal society which will provide a transparent and credible reportage in mass media.

Evidence for the Ideological Nature of Media Ownership and Control
Marxists are suggesting that media owners, wealth holders and the political elite are united in some sort of ideological conspiracy to brainwash the general population. However, it is almost impossible to scientifically gather empirical evidence that supports this hypothesis. Sociologists generally only have anecdotal evidence to confirm their suspicions that concentration of media ownership is damaging democracy.
However, Curran’s (2003) detailed systematic examination of the social history of the British press does suggest that the evidence for owner interference in and manipulation of British newspaper content is strong. Curran notes that in the period 1920–50 press barons openly boasted that they ran their newspapers for the express purpose of propaganda that reflected their political views. Curran points out that even when engaged in investigative reporting, the majority of newspapers in Britain have supported the Conservative Party.
Curran also notes that the period 1974–92 saw the emergence of Rupert Murdoch. However, Curran rejects the idea that Murdoch is part of unified capitalist elite but acknowledges that Murdoch’s newspapers are conservative in content and strongly supportive of capitalist interests. He argues Murdoch’s motives are economic rather than ideological in that Murdoch believes that right wing economic policies are the key to vast profits.
Curran’s analysis of British newspapers suggests that both pluralist and Marxist theories may be mistaken in the way they look at media ownership. He argues the pluralist view that media owners do not intervene in media content is evidentially false. Curran argues that since 2000 there has been even greater intervention by owners such as Murdoch. However, Curran disagrees with Marxists about the motive for this. He notes that the actions of media owners are not collectivized; rather they pursue their economic goals in a ruthlessly individualized way in an attempt to obtain a bigger share of the market than their capitalist competitors.

                                                            Conclusion
With a brief evaluation of media ownership and control in today’s digital age, the ownership and control of mass media is predicated on the system of government and its  ideology, that is countries that encourage a free operation of the media i.e capitalist countries have more fair and credible mass media, whose operation cut across diversities than countries whose ideology is communism, but no matter what ideology these countries practice they should have it in mind that the mass media are meant to carry out its duties with professionalism and ethics and without any fear or favour to the general public, in order to prevent a collapse in the society.
References
Coy, Wolfgang (2005): Analog/Digital. In: Warnke, Martin et al. (2005): Hyperkult II - Zur Ortsbestimmung analoguer und digitaler Medien (in German), Bielefeld: transcript Verlag, ISBN 3-89942-274-0
James Curran and Jean Seaton (1997). Power without responsibility: press, broadcasting and the internet in britain
James Curran (2002) Media and Power (communication and Society)
Long, Paul; Wall, Tim (2009). Media Studies: Text, Production and Context. Pearson Education. http://www.doingmediastudies.com/.
Manohar, Uttara. "Different Types of Mass Media". Buzzle.com. http://www.buzzle.com/articles/different-types-of-mass-media.html. Retrieved November 26, 2011.
"Mass media", Oxford English Dictionary, online version November 2010
"Mass Media". http://www.enotes.com/mass-media-reference/mass-media. Retrieved february  21, 2013.
Miliband, Ralph. "Poulantzas and the Capitalist State." New Left Review 82 (1973): 83-92.
Potter, W. James (2008). Arguing for a general framework for mass media scholarship. SAGE. p. 32. ISBN 978-1-4129-6471-5. http://books.google.com/books?id=H9u9E2wsVjAC&pg=PA32.
Tunstall,J and Palmer, M(1991). Media Moguls.London: Routledge

Friday, 15 February 2013

And She Said Yes!!!

A few weeks ago, my friend got proposed to by her long time boyfriend. She didn't see it coming, her fiancee (now)  did a good job in keeping it a secret from all of us. This is how it happened.....

It was my friend's 26th birthday. She wanted to celebrate it, but her fiancee asked her not to throw any party, saying he will take her out and they will both have a private dinner. On the day of her birthday, after the early morning calls and wishes, he told her they have to postpone the dinner as he was going to be extremely busy that nite. My friend was really devastated and sad because she really wanted a birthday party.

Her fiancee, contacted me and some of her close friends asking if we could meet up at some fancy restaurant after work for a surprise party for my friend. We all agreed and meet at the restaurant around 7pm. The challenge was how to get the celebrant to the venue. Finally we were able to get her there through the help of her colleague. On getting there, she was surprised and full of joy. 

After the meal, it was time to cut the cake.......that's when the real surprise came. On the cake were these words, Will You Marry Me? her fiancee was now on his knees with the ring! She immediately started crying and said Yes amidst the tears. It was a beautiful evening for all of us!

Knorr Taste Quest Screening Party




On the 11th of January 2013, I attended a screening party for a new TV cooking show at the Muson Center. The name of the show is the Knorr Taste Quest TV show from Unilever Nigeria Plc. It comprises of 12 runner ups who will be competing for the grand prize of a brand new car and N1million as well as cooking equipments.
The party was quiet interesting and entertaining as we were served with mouth watering finger foods accompanied with light music. We were specially treated to a sneak preview on what the show would be like. See pics from the show.